Overview
Ben Tyers creates installations and kinetic sculptures, frequently inspired by his avid interest in the natural world, and attempts to recreate the procedures by which it operates in his art. Tyers uses technology to imitate evolutionary processes, and to explore the ways in which natural rhythms such as breath affect human beings, both physically and mentally, in order to provoke a thoughtful and reflective state in the mind of the viewer. His work, while visually subtle and understated, is carefully constructed and draws heavily upon scientific and engineering theory.
Works
  • Ben Tyers, Breathe, 2010
    Ben Tyers
    Breathe, 2010
    Glass, water, bog oak, and actuating mechanism
    55 1/8 by 15 by 15 inches
    Sold
  • Ben Tyers, Equilibrium
    Ben Tyers
    Equilibrium
    granite
    55 1/8 by 15 by 15 inches
    Sold
  • Ben Tyers, Trinity , 2010
    Ben Tyers
    Trinity , 2010
    Breathe - glass, water, bog oak, and actuating mechanism
    Vortice - silver plated composite form, plinth and actuating motor
    Equilibrium - stone

    55.12 x 15 x 15 in. (140 x 38.1 x 38.1 cm.) each
    Edition of 3, plus 1 artist proof
    Sold
  • Ben Tyers, Vortice
    Ben Tyers
    Vortice
    Silver plated composite form, plinth and actuating motor
    55 1/8 by 15 by 15 inches
    Sold
Biography

Ben Tyers sees the world as existing of a natural balance of opposites, and the oscillation between these opposites as the flux which creates our visible universe. As he states: Naturally the balance between decay (reductive processes) and growth (refinement) is always in favour of the latter, in the ratio of about 3:2. This predominance of refinement over decay in nature means that there is not only an abundance of growth, but a constant progress in evolution and the resulting support of increasingly complex and refined life forms. It is this idea of balance and reciprocal interplay which is present in all life, exemplified by human breathing, that is behind the artwork.

 

Breathe

"The phenomena of pressure, explosion, centrifugal motion and over-heating are all intimately linked with the processes of decay; conversely, suction, implosion, centripetal motion and cooling are the counterparts of growth and refinement. The outward or pressure-breath is therefore subordinate to the suction or in-breath. My understanding is that our over-dependence on technologies derived from decay processes hinders the development of consciousness. I am striving to create works which will help to redress this imbalance and thus open our human spirit to these subtle but immensely powerful impulses which are motive of self awareness, healing and refinement. Extending Tyers’ exploration of this interplay of forces, Vortice embodies an idealised form of balanced motion. It is seemingly both a wave and a particle as it describes the generative egg-form derived from a logarithmic funnel, the same form as the path of every planetary orbit. It is as simple and pleasing to observe as a waterfall, a cascade without beginning or end."  -Ben Tyers