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Paris>Texas: Matisse to Bates: Works from 1894 to 1994

PAST exhibition
31 March - 1 May 1994
  • Overview
  • Works
Open a larger version of the following image in a popup:
Open a larger version of the following image in a popup: Henri Matisse (French, 1869-1954) Marie-José en robe jaune, 1950, edition of 100 (Duthuit-Matisse, 817). Signed and numbered "H. Matisse/26/100" in crayon l.r. Color aquatint on Arches paper with watermark, plate size 21 1/8 x 16 7/16 in. (53.5 x 41.6 cm), framed. Condition: Full sheet with deckled edges, sheet gently toned, colors strong and fresh, staining near edges of sheet, pinpoint foxing visible primarily on verso. Provenance: A private New England collection. N.B. Matisse was a prolific printmaker, creating more than 800 printed works, and worked in a broad variety of techniques, embracing intaglio, relief, and planeographic processes. The work presented here is an aquatint; an intaglio process in which the artist brushes a granular resin onto a metal plate. When the plate is placed into an acid bath the particles protect the surface, creating a fine network of channels that carry ink for printing.
Open a larger version of the following image in a popup: David Bates RODEO 1992 Oil on canvas 60 by 48 inches
Open a larger version of the following image in a popup:
Open a larger version of the following image in a popup:
Open a larger version of the following image in a popup:
Open a larger version of the following image in a popup:
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  • Henri Matisse (French, 1869-1954) 

    Marie-José en robe jaune, 1950, edition of 100 (Duthuit-Matisse, 817). Signed and numbered "H. Matisse/26/100" in crayon l.r. Color aquatint on Arches paper with watermark, plate size 21 1/8 x 16 7/16 in. (53.5 x 41.6 cm), framed. 
    Condition: Full sheet with deckled edges, sheet gently toned, colors strong and fresh, staining near edges of sheet, pinpoint foxing visible primarily on verso. 

    Provenance: A private New England collection. 

    N.B. Matisse was a prolific printmaker, creating more than 800 printed works, and worked in a broad variety of techniques, embracing intaglio, relief, and planeographic processes. The work presented here is an aquatint; an intaglio process in which the artist brushes a granular resin onto a metal plate. When the plate is placed into an acid bath the particles protect the surface, creating a fine network of channels that carry ink for printing. 

  • David Bates

    RODEO 1992

    Oil on canvas

    60 by 48 inches

David Bates

RODEO 1992

Oil on canvas

60 by 48 inches

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